目錄
Chapter One Global Warming Narrative and Criticism within the Cultural and Political Paradigm
1.1 Global warming as an ethico-aesthetic event
1.2 Narrative and criticism of global warming science fiction
1.3 To think of global warming with Felix Guattari
Chapter Two Machine, Matter, and Chaos: Environmental Ecology in Norman Spinrad's Greenhouse Summer
2.1 Norman Spinrad's chaosophy in Greenhouse Summer
2.2 Materiality in global warming
2.3 Abstract machine and machinic ecology
2.4 Vibrant matter and intelligent materialism
2.5 Condition Chaos and artificial intelligence
Chapter Three Culture, IWC, and Techne: Social Ecology in Ian McEwan's Solar
3.1 Ethical collapse in Ian McEwan's Solar
3.2 Transversality: Nature and culture
3.3 Globalization and IWC
3.4 Science: Technology and techne
3.5 Spectacle and risk: Ethico-political paradigm
Chapter Four Chaosmosis, Singularity, and BwO: Mental Ecology in J. G. Ballard's The Drowned World
4.1 Ballardian mental experiment in The Drowned World
4.2 A new psychology: Subjectivation and chaosmosis
4.3 "A second Adam": Singularity and singularization
4.4 "Zone of transit" as a Body without Organs
4.5 Memory and museum: Aesthetic paradigms
Chapter Five Ecosophy, Ontological Turn, and World Literature: Toward the Future of Global Warming Narrative and Criticism
5.1 Ecosophical criticism of global warming narrative
5.2 Ecosophy as an alternative to ecocriticism
5.3 Ecological crises: An ethico-aesthetic paradigm
5.4 An ontological turn: From subject to object
5.5 Environmental world literature: A worldview
References
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