內容大鋼
客家山歌是客家人在山野間用客家話即興演唱的口頭文學，是中國重要的民間音樂文化，于2006年入選第一批國家非物質文化遺產名錄。儘管在當地客家山歌獨有的藝術特色被大家所廣泛接收，但隨著文化全球化時代的到來，客家人現代生活方式的改變、媒介技術的革新以及不同文化之間的碰撞與交流，從現今發展情況來看客家山歌已處於下滑之勢，其傳承與發展工作迫在眉睫。本書通過對客家山歌的認同、發展和變化進行研究，其目的在於：1）探討客家山歌形成的認同的重要因素；2）探討社會變遷與客家山歌的關係；3）探討現代社會客家山歌的保護方式和發展策略。
作者介紹
邊秀梅|責編:徐暘
邊秀梅，博士，湖州師範學院藝術學院副教授，湖州市南太湖高端文化人才，泰國孔敬大學高級訪問學者，中國藝術人類學學會會員，長期從事音樂人類學、聲樂演唱與教學及音樂教育的研究。近年來主持和參與完成國家社科基金項目、全國教育技術研究規劃課題等國家級、省部級課題8項。以第一作者在Journal of Music and Performing Arts、Journal of Fine and Applied Arts、《音樂創作》《學術交流》《中國電化教育》等期刊發表學術論文20余篇。從教20年來指導學生在各類比賽中獲獎。
目錄
CHAPTER 1 Introduction
1.1 Background and rationale
1.1.1 Foreign research status
1.1.2 Research status in China
1.2 Objectives of the study
1.3 Research questions
1.4 Definition of terms
1.4.1 Hakka mountain songs
1.4.2 Identity
1.4.3 Development
1.4.4 Change
1.5 Scope of the study
1.6 Significance of the study
1.7 Conceptual framework
1.8 Outline of the study
CHAPTER 2 Research Methodology
2.1 Research design
2.1.1 Literature review method
2.1.2 Fieldwork
2.1.3 Observation method
2.2 Data collection
2.3 Data analysis
2.3.1 Literature analysis
2.3.2 Comparative analysis
2.3.3 Music analysis
CHAPTER 3 Hakka Music Culture
3.1 The historical origin of Hakka music culture
3.1.1 Hakka music culture in ancient times
3.1.2 Hakka music culture from 1930 to 1978
3.1.3 Hakka music culture after Chinese reform and opening-up (after 1978)
3.2 The classification of Hakka music culture
3.2.1 Hakka traditional songs
3.2.2 Hakka instrumental music
3.2.3 Hakka song and dance
3.2.4 Hakka opera
3.2.5 Hakka rap art
3.3 The characteristic of Hakka music culture
3.3.1 The integration of Hakka music culture
3.3.2 The rationality of Hakka music culture
3.3.3 Openness and inclusiveness of Hakka music culture
3.4 Ecological environment of Hakka music culture
3.4.1 Natural ecology
3.4.2 Social ecology
CHAPTER 4 The Identity of I-Iakka Mountain Songs
4.1 The historical origin of Hakka mountain songs
4.1.1 Formation of Hakka mountain songs
4.1.2 Historical changes of Hakka mountain songs
4.2 The classification of Hakka mountain songs
4.2.1 Love songs
4.2.2 Production and life mountain songs
4.2.3 Current political mountain songs
4.2.4 Folklore mountain songs
4.2.5 Special forms of mountain songs
4.3 Musical morphological feature of Hakka mountain songs
4.3.1 Meters characteristics of Hakka mountain songs
4.3.2 Rhythm characteristics of Hakka mountain songs
4.3.3 Scale characteristics of Hakka mountain songs
4.4 Language features of Hakka mountain songs
4.4.1 The language features of life and visualization
4.4.2 The application of mood tone words
4.4.3 The use of rhetorical devices in Hakka mountain songs
4.5 Characteristics of accompaniment of Hakka mountain songs
4.5.1 Characteristics of accompaniment of Xingguo Hakka mountain songs
4.5.2 Characteristics of accompaniment of Meizhou Hakka mountain songs
4.6 Singing forms of Hakka mountain songs
4.6.1 Solo singing
4.6.2 Duet singing
4.6.3 Mountain song battle on the platform
4.6.4 Group singing and performing of mountain songs
4.7 Functions of Hakka mountain songs
4.7.1 Entertaining and communicative functions
4.7.2 Publicity and educational functions
4.7.3 Religious and cultural inheritance functions
CHAPTER 5 Investigation on the Present Situation of Hakka Mountain Songs
5.1 An analysis of the present situation of the spread and development of Hakka mountain songs
5.1.1 Disseminator
5.1.2 Dissemination content
5.1.3 Dissemination channel
5.1.4 Audience of communication
5.1.5 Communication effect
5.2 An analysis of the causes of the development and decline of Hakka mountain songs
5.2.1 Internal reasons
5.2.2 External reasons
CHAPTER 6 Measures and Paths of Inheriting and Developing Hakka Mountain Songs
6.1 Give full play to the main role of the government
6.1.1 Strengthening the funding budget and expanding the sources of funds
6.1.2 Establishing and improving the protection mechanism and management system of Hakka mountain songs
6.1.3 Constructing the protection, cultivation and inheritance system of Hakka mountain song inheritors
6.2 Developing the market of Hakka mountain songs
6.2.1 Construction of the Hakka mountain song brand
6.2.2 Creating Hakka mountain song cultural creative industry
6.2.3 Strengthening the combination of Hakka mountain song performance and Hakka tourism to promote regional economic development
6.3 Form a four-in-one protection and inheritance model of "picture, text, sound and image
6.4 Giving full play to the main roles of local colleges and universities
6.4.1 The role of cultivating talents
6.4.2 The role of
6.5.2 Innovation of accompaniment instruments
6.5.3 Innovation of language
6.5.4 Innovation of performance form
6.5.5 Innovation of stage design
6.5.6 Making use of various ways of communication to expand the audience and improve the effect of communication
CHAPTER 7 Conclusions
7.1 Important factors in shaping the identity of Hakka mountain songs
7.1.1 The immigrant culture of Hakka mountain songs
7.1.2 The interdependenty and symbiosis of Hakka mountain songs and Hakka culture
7.1.3 Characteristics of Hakka mountain songs' musical forms
7.2 The relationship between social change and Hakka mountain songs
7.2.1 The impact of social change on Hakka mountain songs
7.2.2 The impact of Hakka mountain songs on social change
7.3 Inheritance and development strategies of Hakka mountain songs in modern society
7.3.1 The protection and inheritance strategy for Hakka mountain songs
7.3.2 Development strategies for Hakka mountain songs
7.4 Discussion of the related theories and results
7.4.1 Discussion on related research theories
7.4.2 Deficiencies of this book
7.5 Suggestions
7.5.1 Feedback from research
7.5.2 Suggestions for the future research
REFERENCES
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