Preface 引言 Rooting in Lingnan ——The History of Cantonese Music 深植嶺南 ——粵樂的歷史沿革 Germination:Booming of the Folk Musical Bands 萌芽：民間私伙遍布各地 Origin:The Product of Multiple Cultures 起源：多元文化共同作用 Development:Masters and Masterpieces 發展：人才眾多名品輩出 Reforms of the Musical Instruments ——The Soul of Cantonese Music 樂器變革 ——粵樂的靈魂精髓 Prototype:Hard-Bow Performance to Depict Common Life 維形：硬弓演奏系民生 Transforming:Soft-Bow Bringing New Life 轉型：軟弓改良創新風 Maturity:Incorporation of the Western Music 成熟：洋為中用促傳播 Contemporary Cantonese Music ——Heritage and Innovation of Cantonese Music 當代粵樂 ——粵樂的傳承創新 Heritage:Flowering Everywhere 傳承：萬家燈火萬家弦 innovation:New Skills to Create Grandeur 創新：技法突破振雄風 Studies:Academic Reconstruction of the Culture 研究：學術重構文化潮 Combination of the East and the West ——Features of Cantonese Music 中西合璧 ——粵樂的藝術特點 Rhythm:Elegant Brisk Lyrics 旋律：優美明快擅抒情 Themes:Common Feelings over Different Generations 主題：世俗情感代代傳 Styles:Merging of Soul and Music 風格：人樂相通達靈境 Movement:Incorporation of the Westerm Musical Techniques 旋法：中西合壁立新風 Musical Instruments:Changing with the Times 配器：與時俱進爭芳妍 Great Masters ——Eminent Persons in the History of Cantonese Music 群星璀璨 ——粵樂名家人物誌
The Three Hes:Pioneers of Modern Cantonese Music 何氏三傑：引領粵樂發展的開拓者 He Liutang:A Master at the Transitional Stage of Cantonese Music 何柳堂：粵樂史上承上啟下的音樂大家 He Yunian:A Prolific Composer Determining the Position of Cantonese Music 何與年：奠定粵樂戲曲地位的多產作家 He Shaoxia:A Master of Musical Instruments Expertizing in the Classical Literature and Lyrics 何少霞：深諳古典文學和唱詞的樂器高手 The Four Kings:Propellers Leading Cantonese Music to Its Golden Age 四大天王：推動粵樂走向黃金時代 L? Wencheng:A Master of Cantonese Music and Reformer of the Musical Instruments 呂文成：一代粵樂宗師，力推器樂改革 Yin Zizhong:A Pioneer Who Nationalized the Violin 尹自重：小提琴民族化先驅 He Dasha:A Reformer of Guitar and Excellent Performer 何大傻：大膽改造吉他，演奏兩藝俱佳 He Langping:A Lover of Classical Literature Dedicated to Folk Music Creation 何浪萍：酷愛詩詞，致力於民間樂曲創作 Qiu Hechou:The Initiate Providing Textbooks of Cantonese Music 丘鶴待：廣東音樂啟蒙者，編著最早課本 Blooming ——List of Classical Cantonese Musicol Pieces 百花齊放 ——粵樂經典作品錄 "The Pathetic Story of the Two Stars:Classical Musical Piece Based on Chinese Folklore 《雙聲恨》：以民間傳說為題材的古曲 「Lightning in the Blue Sky」:Music with New Performing Techniques 《旱天雷》：技法推陳出新的粵樂佳作 "Plantains in the Rain」:Early Masterpiece with Heavy Lingnan Flavor 《雨打芭蕉》：南國情趣的初期代表 "The Dragon Boat Race Champion:Classical Cantonese Music with Western Techniques 《賽龍奪錦》：借鑒外來技巧的粵樂經典 「Step on Step」:Popular Music Singing about Musical Instrument Reform 《步步高》：樂器改革的時代「流行曲」 「A Peacock in His Pride」:The Musical Piece Employing Variou Western Musical Instruments 《孔雀開屏》：被最多西洋樂器演奏過的作品 「Little Taohong」:A Pioneer to Escape the Bondage of Tradition 《小桃紅》：敢於突破傳統的創新之作 「Birds Returning to the Woods":A Musical Piece Embodying Nature
《鳥投林》：體現自然之趣的音樂小品 Breakthrough ——The Peak of Cantonese Music in the New Age 推陳出新 ——粵樂攀登新時代新高峰 New Birth:New Musical Pieces Created One after Another 新曲：大批新作不斷湧現 New Trend:Creation not Limited to One Type 新風：創作嘗試不拘一格 Following the Trend of the Times ——Cantonese Music Opening a New Chapter 時代潮流 ——粵樂譜寫新文化新篇章 Folk Music:Following the Social Trends 民樂：緊貼時代變革 Transformation:Carrier of Cultural Renaissance 轉型：承載文化復興 Afterword 後記
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